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Completed Restorations

I have been able to restore thousands of pieces of antique furniture for my clients over the years.

This page is designed to show you some of the restorations I have completed, and the standard of work you can expect:

Completed Restorations

I have been able to restore thousands of pieces of antique furniture for my clients over the years.

This page is designed to show you some of the restorations I have completed, and the standard of work you can expect:
Cromwellian Carver chair 1666 

This chair required complete restoration, which included four new seat rails, and other pieces being repaired, reassembled, and re-polished. 

Caning of the seat and back panels also took place.
Cromwellian Carver chair 1666

This chair required a complete restoration, which included four new seat rails, and other pieces being repaired, reassembled, and re-polished. 

Caning of the seat and back panels also took place.
Lacquer Lockcase Clock 1770

The plinth and hood had to be completely restored, with the original lacquer work cleaned. It took delicate work to match the colour and decoration from the hood. 
Lacquer Lockcase Clock 1770

The plinth and hood had to be completely restored, with the original lacquer work cleaned. It took delicate work to match the colour and decoration from the hood. 
19th Century Giltwood Armchair

All the joints on the framework were loose while the carved mouldings and gesso work had broken away, so I dismantled every joint, cleaned, re-glued and assembled them back together. I also restored the mouldings and gesso work and re-gilded the entire chair.
19th Century Giltwood Armchair

All the joints on the framework were loose while the carved mouldings and gesso work had broken away, so I dismantled every joint, cleaned, re-glued and assembled them back together. I also restored the mouldings and gesso work and re-gilded the entire chair.
Victorian Walnut Davenport

I designed a completely new fretwork gallery as this piece required major restoration. Turning, carving, veneering, inlay work, leathering and French polishing were all used to achieve the end result.
Victorian Walnut Davenport

I designed a completely new fretwork gallery as this piece required a major overhaul. Turning, carving, veneering, inlay work, leathering and French polishing were all used to achieve the end result.
19th Century Giltwood Settee

The paintwork was completely stripped off to the bare wood. The frame was then gessoed and carved, the settee frame was then re-gilded with 22 carat gold leaf, before upholstering the frame.
19th Century Giltwood Settee

I stripped the paint off to the bare wood, gessoed and carved the frame and gilded the settee with 22 carat gold leaf, before upholstering the frame.